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FILM
REVIEW
"THE
POLAR EXPRESS"
Starring Tom Hanks
Directed by Robert Zemeckis
Entertainment
Art
Movie Review by NED O'REILLEY
Much
has been made of the animation techniques used in the new Robert
Zemeckis film, “The Polar Express,” but that’s
not what matters when you watch it. So many things are done now
with computer animation that the majority of films use it somewhere.
What interested me more were the characterizations and the roller
coaster action of the titular train. The story, based on a wonderful
children’s book by Chris Van Allsburg, is basic: boy, old
enough to doubt the existence of Santa Claus, has change of heart
after a mystical experience.
In this case, the nameless Hero Boy remembers his magical night
as an adult, which is critical to the story, but also critical to
each audience member’s perception of the story. If you’re
young enough, or far enough removed from your youth, you want that
life magic that includes Santa and all the other parts of the Christmas
myth. If you’re an older child, or a child who’s had
a rotten go of it, or the grown up version of one of these, a film
like this may not touch you.
On Christmas Eve, our Hero Boy, unable to sleep anyway, boards the
Polar Express when it pulls up in front of his house. Despite the
noise of the behemoth, no one else is awakened by it. Aboard the
train, the boy meets other children who’ve earned this once
in a lifetime ride because they, too, are of an age when childish
things need to be put behind and innocence redefined. The trip to
the North Pole ventures through frozen woods and mountains and lakes
in a near blizzard. On the way, the boy encounters a gruff but ultimately
kind-hearted conductor, a mysterious hobo who vanishes and reappears,
mostly on top of the train, a comical pair of engineers, a level-headed
girl, a sad, poor boy, and a scientist kid who speaks hyper-fast.
Tom Hanks voices all of the significant adult characters and even
provides the movement for the Hero Boy (voiced by Daryl Sabara).
Nona Gaye warmly provides both for Hero Girl, the ultra-obnoxious
Eddie Deezen plays the scientist kid, and Jimmy Bennet voices the
sad boy. Andre Sogliuzzo provides the voice and hilarity for Smokey
& Steamer – the rotund engineer and the skinny, long-red-haired
coal shoveler, who romp through a wildly fun series of disasters
on the trip up.
After a long trek that often feels like one of this VR roller coaster
rides, the Express reaches the Pole, shown as a sizeable industrialized
city inhabited by tens of thousands of elves. Here the children
expect to meet Santa Claus, who will choose one of them to receive
the first gift of Christmas. I was much more enthralled by the train
trip (which takes up half the movie) than by the time spent at the
North Pole. Maybe it makes sense that Santa’s helpers would
need city block after city block of factories in order to churn
out toys for all the kids in the world, but it struck me as too
cold an image.
Much warmer was a sequence when a train ticket blows out the window,
swirls in the wind, gets caught by an eagle, trampled by a pack
of wolves, and miraculously ends up back on the train. I loved the
crack the whip action of the train as it attempts to cross the polar
ice cap. Also fabulous was a musical number featuring dancing waiters
serving the children hot cocoa. The forlorn ballad sung by the children
is less interesting, but is still better than the token rock’n
roll moment sung by Aerosmith’s Steven Tyler as a grimacing
elf.
The Polar Express is fine family fare, even for young children,
although there are some mysterious moments (scary? maybe –
depends on the kid). I enjoyed the film, as did my not-so-young
kids, but I’d hesitate to call it a classic.
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