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"Sunshine" wins Miss Congeniality Print E-mail
Written by MICHAEL JAMES ALLEN   
Wednesday, 26 July 2006
There’s a moment towards the beginning of “Little Miss Sunshine” in which the young Olive (Abigail Breslin) discovers she is to be a finalist at the pre-teen beauty pageant of the title. Her response is to jump for joy and let out a blood-curdling shriek. It’s one of those moments that’s been played out in tons of movies before this, and yet it still elicits a laugh.

Little Miss Sunshine
Entertainment
Art

Directed by Jonathan Dayton and Valerie Faris
Written by Michael Arndt
Starring Greg Kinnear, Toni Collette, and Steve Carell
Rated R for language, some sex and drug content
Released on July 26, 2006
This is because the moment is played straight and doesn’t wink at the audience. What could have been contrived and mocking is, instead, executed with a sweet and admirable innocence. Because of this, we care about Olive, laughing with her, not at her. The film is filled with moments like this, and even though none of them are particularly innovative, they still win us over every time.

The film follows Olive’s family as they travel across country in an old Volkswagen bus, determined to get to the pageant on time, and not letting any of the countless distractions that occur get in their way. The characters include all the staples of an eccentric family: The father obsessed with winning (Greg Kinnear); the put-upon mother (Toni Collette); a rebellious older brother who refuses to speak (Paul Dano); a bizarre uncle (Steve Carell) recovering from a recent suicide attempt; and, of course, the horny ol’ granddad (Alan Arkin). Even the Volkswagen bus could be considered a character, as the majority of the story revolves around the increasingly dilapidated vehicle.

In a lesser film, these characters would be vicious stereotypes, each assigned one thin joke and forced to carry it the entire film. The joy of “Little Miss Sunshine,” however, is in how real, how human, everyone seems to be. The family acts exactly as a real family would, and the film takes great pains to maintain this. Even the most bizarre of the comic situations are handled truthfully, never falling into parody. Indeed, the closest the film ever gets to caricature is its mockery of child beauty pageants, which is as funny as it is deserved.

A large chunk of the film’s success in this should go to the pitch-perfect cast. Greg Kinnear’s talent returns after a long absence in “Bad News Bears” country, and he plays his character with gusto, expertly walking the line between unlikable and sympathetic. Steve Carell is great fun as the depressed uncle, and proves there’s ample dramatic range to the "40-Year-Old Virgin". Alan Arkin is as great as you’d expect him to be, although he seems to be saddled with the most cliché of the characters. The biggest revelation, however, is Abigail Breslin, who has that rare ability to act like a real child and not just some cutesy movie version of one.

This film is not going to sweep the Oscars or change the way you look at cinema. It has ample laughs, but few surprises. What the film lacks in originality, however, it makes up for with a strong cast and an overwhelming sense of good cheer. Check out “Little Miss Sunshine” and I guarantee you’ll be smiling for the rest of the night.

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