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Neil Young’s Triumphant Homecoming |
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Written by COSME VIVANCO
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Thursday, 22 March 2007 |
Fans of Neil Young have waited impatiently for “the Godfather of Grunge” to unleash his archival material that’s been collecting dust in his vault for years. Last November, Young answered those wishes and released “Neil Young and Crazy Horse: Live at the Fillmore East,” the first in his archive performance series.
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Neil Young | Entertainment Art "Live at Massey Hall"
(Reprise)
Released March 13, 2007
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The release of this famous 1970 concert showcases Neil’s “evil twin,” the charismatic and gritty leader of the immortal rock band, Crazy Horse. But while “Live at the Fillmore East” displays the nuclear sounds of a band playing with searing passion, Young’s second release in his archive performance series, Live At Massey Hall 1971, delivers a heartfelt performance by the then 25-year-old Neil Young who was maturing far more rapidly in his songwriting than any of his contemporaries in the golden age of singer-songwriters.
Five years after leaving the Toronto music scene to pursue his dreams of Rock and Roll stardom, Neil Young returned to his hometown on January 19, 1971 to perform two shows at Massey Hall. This new release is the full second show and the set list is a reflection of Young’s creative drive. Nine of the seventeen tracks were previously unreleased, including the operatic ballads, “There’s a World,” “A Man Needs a Maid” (which includes a snippet of the classic single, “Heart of Gold’) and “Old Man.” Tracks that would make his 1972 album, Harvest a commercial success.
Free from the orgasmic feedback of Crazy Horse’s electric sound and Crosby, Stills, Nash and Young’s tight harmonies, Neil Young nails all 17 tracks with a shaky and eccentric voice that’s been a trademark during his more than 40 years in the business. His guitar playing is sparse, but enough to drive home the lessons of age and experience that were recurring throughout this set. Songs like “Helpless” and “Journey Through the Past” are brilliant glimpses of Toronto and “The Needle and the Damage Done” (another classic track from Harvest) is a chilling reminder of Heroin and its effect.
Hands down, this is Neil Young’s best performance as a vocalist, and guitarist. Sure, the howl of Crazy Horse is an effective way to reach out and touch an audience of screaming fans, but on January 19, 1971, Neil Young proved that he doesn’t need electricity to mesmerize an entire crowd. This is truly Neil Young at his best, naked with a pocket full of ambition. |
william mcconnell Written by Guest on 2007-03-25 18:58:03 more more more more more more more more more more more more more more more | Freaking perfect! Written by Guest on 2007-03-26 14:08:25 It doesn't GET better than this!
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