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“Sun”-Shines Print E-mail
Written by MICHAEL JAMES ALLEN   
Friday, 20 July 2007
“They don’t make ‘em like they used to,” is a pretty apt way to describe the trend in science-fiction films. Modern day sci-fi is a world populated by convoluted minutiae, with stories that buckle under exposition and plot twists. Even when these movies are good (“Minority Report,” “Primer,” “The Matrix”) it seems as though more time is spent explaining the how and why of the story than actually allowing that story to unfold. It’s like we’ve all forgotten that some of the best stories are the simplest ones, and that goes double for sci-fi. If you look back at some of the best science-fiction films like “The Day the Earth Stood Still” or “Alien,” you discover that, while they’re filled with complicated ideas, their stories are relatively straightforward.

“Sunshine”
Entertainment
Art

Starring Cillian Murphy, Chris Evans, and Michelle Yeoh
Directed by Danny Boyle
Written by Alex Garland
Rated R for violent content and language
Released on July 20, 2007
It is this aspect of Danny Boyle and Alex Garland’s new film, “Sunshine,” that I think I most appreciate. The film has one of those classic “men-with-a-mission” premises that instantly draws you in and allows you to take everything that follows at face value. Honestly, the sci-fi element of the film is so simple and intriguing that I’m surprised no one's thought of it before: In the not-too-distant future the sun is dying out and the earth is freezing because of it. A group of astronauts is sent in a forebodingly named ship, the Icarus II, to deliver their “payload” (a really, really, really big bomb) in an attempt to reignite the sun. Among the crew is Capa (a solid Cillian Murphy), the physicist; Ace (Chris Evans, who should appear in films like this more often), the technician; Corazon (Michelle Yeoh), the oxygen specialist; Searle (Cliff Curtis), who is a bit too enthralled by the light of sun; and a handful of others. Along their way, the crew discovers the remains of the Icarus I, the first attempt that met with a tragic and mysterious end. The crew decides to investigate and, like every other good piece of sci-fi, complications ensue.

Also, like other good sci-fi, the more fantastical elements are not the main focus here, but rather the people who are forced to deal with them. This is something that a lot of sci-fi films get wrong: Interesting ideas and lots of special effects are great but ultimately meaningless if you have nothing but cardboard cut-outs to react to it. The characters in “Sunshine” act like real people and a majority of the tension in the film comes not from aliens (of which there are none, contrary to what the trailer is trying to sell you) or asteroids, but rather from the group slowly imploding on itself when faced with a dire situation.

As he did with “28 Days Later,” director Danny Boyle shoots the whole thing in a simple but elegant style. Credit should also be given to production designer Mark Tildesley for making the Icarus II look realistic and functional, like something NASA might actually design. Credit, in fact, should be given all around, from the haunting music composed by the band Underworld, to the dream-like special effects that invoke both “2001: A Space Odyssey” and “The Fountain.”

While the film isn’t perfect (the third-act is a bit too bizarre for its own good, and a plot twist towards the end strains credibility a tad), “Sunshine” still makes for one of the few solid films this summer, as well as a welcome return to good, old-fashioned science-fiction.

Comments
And they still don't.
Written by Guest on 2007-07-20 10:06:00
Odd: I don't remember the characters in my favorite sci-fi classics ("Alien," "The Thing from Another World," etc.) being quite as overpoweringly stupid as the crew of the Icarus II. Lowered expectations for the modern age, eh?

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