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Pitchfork 2009 Breakout Bands Print E-mail
Written by MAX BLAU / * Photos by BARRY BRECHEISEN   
Wednesday, 12 August 2009
These days there are so many musical festivals around the country and even all over the world to help satisfy your musical appetite. Musical tours are coming through your town every weekend if not every other day. If you live in the Chicago area, you have two of the best musical festivals in the world that take up residency every year. Lollapalooza just wrapped up this past weekend and a few weeks before there was the eclectic musical smorgasbord that is Pitchfork Music Festival. Let’s take a quick look back at some of the breakout bands that graced the Pitchfork stages.

Pitchfork Music Festival
Entertainment
Art

Union Park
Chicago, IL
July 17-18-19 2009
The Walkmen

The Walkmen are distinguished most by the lead singer Hamilton Leithauser’s Dylan-esque voice, which he emulates so with much success. Leithhauser is complimented by the rest of the band, who offer an intriguing combination of an antiquated, warm indie sound. Their sound becomes even more complex as they layer their music with frequent dynamic changes between their meandering ballads and blistering explosions of beautiful noise.

Highlights from their set include “The Rat”—a fast-paced, straight up, edgy rock song teeming with Leithauser’s angry and bitter lyrics, as he shouts out “You've got a nerve to be asking a favor / You've got a nerve to be calling my number”. In addition, the band had the support of about a half-dozen horn players, which complemented their rustic feel nicely on songs such as the lonesome ballad “Red Moon”. With up to ten people on stage during their show, The Walkmen’s full sound provided the crowd with one of the more impressive acts of the festival.

Pains of Being Pure at Heart

The Pains of Being Pure at Heart can be described in a nutshell as pure pop bliss. Their innocent, noised laced indie rock combines a shoegaze sound topped with undeniably catchy riffs. The band, which exploded onto the indie-rock scene with the release of their 2009 eponymous debut album, hails from New York, and was performing at Pitchfork for the first time.

Despite the light rainfall during their set, the band brought their A-game from the moment they stepped on the stage. The band impressed the crowd as they cranked out a solid set, with a string a songs including “Young Adult Friction”, “Come Saturday”, “Everything with You”, and “Stay Alive”. While the band did not stray much from their album versions, they did not need to, as their tightness as a band defined their clean pop sound on Saturday.

The entire band seemed beyond happy with the idea that they were playing at this festival. Lead singer Kip Berman looked in awe, donning a smile which was overflowing with his happiness and gratefulness just to be there. While this was only their first time playing Pitchfork, I have a feeling it will not be their last.

Blitzen Trapper

Portland natives Blitzen Trapper are a six-piece outfit, with a diverse sound ranging from folk to country-tinged rock, mixed with a variety of other influences, including Tom Petty and the Grateful Dead. The band released their 2008 album Furr, receiving acclaimed criticism from numerous publications. Since Furr came out, the band has really come into their own as live performers, and it showed both at their Pitchfork set, as well as their after-show at the Empty Bottle.

Blitzen Trapper kicked off their set ready to rock, as they jammed with their more powerful, Americana-based rock , including “Sleepytime in the Western World,” “Wild Mountain Nation,” and “Saturday Nite.” These songs got the crowd’s attention, as they seemed to be enjoying the groove that these songs possessed. Halfway through the set, Blitzen Trapper played their hit “Furr”, which brought the hipster-filled crowd together for a sing along of sorts. By the time the set had reached its end, the crowd seemed pleased with what they had heard.

• Photos of The Walkman by Barry Brecheisen at Lollapalooza 2005

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